Chaos, Beauty & Cinematic Techno: The Mind of Onlynumbers Unveiled
Based in the Czech Republic, Onlynumbers lives and breathes creativity, seamlessly blending music production with his passion for racing and precision sports. He spends his days meticulously crafting his unique sound in the studio, while also finding balance through hands-on pursuits like car tuning and target practice.
Where are you currently based and what does your daily life look like?
I’m currently based in the Czech Republic, and my daily life revolves around creativity. I spend most of my time in the studio—composing, refining my sound design, and constantly pushing my skills further.
When I’m not making music, I’m usually working on my cars, tuning them for touge racing or time attacks. I also enjoy going to the shooting range occasionally—it’s a great way to clear my mind and focus on precision. My days are all about diving into the things I’m passionate about, whether it’s music, cars, or finding new ways to challenge myself.
Your latest single ‘Embrace The Pain’ was released at the end of last year, what does it represent for you at this point in your career? Can you tell us about any upcoming releases?
Embrace The Pain feels like a defining moment for me. It represents struggle, transformation, and the balance between chaos and beauty. At this point in my career, it’s more than just a track—it’s a way to connect with people on a deeper, emotional level and reflect where I am artistically.
As for what’s coming next, I have some exciting projects in the works, including collaborations with artists from different styles. One track I’m particularly excited about is called Ha Ha. It wasn’t originally planned for release, but I’ve received so many requests for it that I had to make it happen. It’s got a chaotic energy, and I can’t wait to share it with everyone.
When you are creating new music, do you have a routine? Please can you tell us about your creative process?
When I’m creating music, my process always starts outside the studio. I either write the track or develop a full idea of what I want to create in my head first. I don’t explore much when I’m at the computer, I already know exactly what I want to do from start to finish before I even sit down in the studio.
Once I have that clear vision, I go into the studio to bring it to life. It’s a very intentional process for me; I don’t start working on a track unless I know exactly where it’s going and how I want it to feel.
What inspired you to become a DJ and producer? How have you got to where you are today?
I never set out to be a DJ; my focus was always on producing music. I started DJing because I began getting booking requests from the music I was releasing online. Interestingly, I was getting bookings for almost a year before I even released any DJ sets online. For producing, it started because I felt I could bring something different and it was so natural for me to make music I was just like : ok let’s release it. And the first track I put online when I was really young got a lot of attention. So since this day I kept releasing music under different projects. It’s also my therapy, the only way I can truly express my feelings and connect with others on a deeper level.
What is the most memorable gig you have played?
The most memorable gig I’ve played was in Turkey on December 30, 2023, just three months after I launched the Onlynumbers project. It was one of the first times I performed all of my emotional tracks in a single set, and it was also the biggest stage I had played on at the time. I felt something I had never experienced before, almost like being in a trance for the entire set. That’s why Istanbul holds such a special place in my heart.
How would you describe your sound and aesthetic, and the energy you bring to your gigs?
My sound and aesthetic are all about contrast and storytelling. I would describe it as euphoric, deep, and chaotic with cinematic undertones that give each set the feeling of a life journey compressed into one hour. It is designed to pull people into an emotional narrative, balancing beauty and chaos, darkness and light, and creating a space where they can truly feel something.
When I perform, my energy comes from instinct. I do not overthink it, I let the music and the crowd guide me. It is about creating a connection, an unspoken dialogue between me and the audience where we all go through this emotional experience together. It feels raw, unfiltered, and in the moment, which makes every gig unique.
What gear and software do you use? Do you have a favorite piece of equipment?
I work entirely in the box without using any hardware. For my setup, I use Barefoot monitors, which are known for their innovative design and industry-leading precision. My sound converter is from Lynx, except for this I only use a midi keyboard. For my DAW, I’ve been using FL Studio for about 14 or 15 years now, and it’s been the foundation of everything I create. My studio setup is incredibly important to me. I’ve invested a lot into it, not only for functionality but also visually, to make it a space that truly inspires creativity.
How do you deal with creative blocks?
For me, creative blocks often come from overthinking. If I feel stuck, I step away from the studio and focus on something completely different, like working on my cars or heading to the shooting range. Switching gears frees my mind, and when I return, I usually have a fresh perspective.
Another key for me is having a clear idea of what I want to create before I even start producing. If I already have the full concept in my head, it reduces the chance of getting blocked once I sit down at the computer.
What do you think about the current electronic scene?
From a production standpoint, I’m constantly amazed by the sheer range of emergent styles appearing around the world every day. Genres like wave trap, future bass, digicore, and rage show just how diverse and boundary-pushing the electronic landscape has become. Producers everywhere are experimenting with new techniques, blending different influences, and evolving beyond traditional labels. It feels like every corner of the globe is contributing something fresh, and that variety is what makes today’s scene so dynamic.
What is your favourite collaboration to date and if you could work with any artist, who would it be?
I only collaborate with Basswell for now. It was a great experience that opened the door to more joint projects. I have two new collaborations on the way, but I cannot reveal much yet, other than the fact that they are not from the hard techno world, I’m sooo excited about it!
If I could work with any artist, I would choose Lana Del Rey or Flume. Lana Del Rey’s unique sound and cinematic approach have always fascinated me, and Flume is a master of his craft who is not afraid to push boundaries. I think working with either of them could lead to something completely unexpected and creatively explosive.
Where do you see yourself in five years?
I often imagine myself composing for artists across a wide range of genres in a secluded house in the Gunma prefecture of Japan. I’d have my studio in the middle of nowhere, surrounded by mountains and winding roads, with my cars ready to drive whenever I needed a break. It’s the perfect setting to fully immerse myself in both music and the rush of driving.
The best advice I can give is to stay true to the vision in your heart before anyone else’s. Do not worry about chasing trends. Focus on what you genuinely want to say through your art. Music, or any creative work, should be an extension of who you are, something that resonates with your own experiences and emotions. Embrace your struggles and let them shape your sound, because the most powerful art often comes from confronting the parts of ourselves we are tempted to hide.
What advice would you give aspiring artists?
Surround yourself with people and influences that push you forward rather than hold you back. Take time to really learn your tools and hone your craft, but remember that skill is only half the battle. Your passion and honesty will connect you to listeners on a deeper level. Whether you are working in a luxurious studio or in a small space, your creativity and dedication can overcome any limitations.
Finally, do not be afraid of the long game. The journey is often more important than the destination. Keep growing, keep experimenting, and never lose sight of why you started making music in the first place.
I really appreciate you having me. It is great to discuss music anytime. Much love your way. <3
Onlynumbers ‘Ha Ha‘ is released 20th February, support here
